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“He steered the ship for everybody,” said Fred Martinez, manager of the El Casino Ballroom and one of Frank’s best friends. ’ He just had that way and that’s why we followed him. He never backed down to anything, no matter how big the challenge was.”Frank was born Dec. 16, 1944, in Tiger, Arizona, but was raised in the historic Barrio Hollywood neighborhood on Tucson’s west side. He retired in 2007 from the city of Tucson, where he worked as a painter for many years. Frank became the president of the Latin American Social Club in 1993 and was instrumental in rebuilding Tucson’s historic El Casino Ballroom after a windstorm destroyed its roof in 1991.

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Since 1947, the ballroom has served as a gathering place for local Hispanic families. Over the years, the ballroom has held thousands of events for community members, including quinceañeras, weddings and mariachi performances. For their annual Christmas party, which could not take place in 2020 due to the pandemic, the Latin American Social Club organizes a community fundraiser at the ballroom where they provide food, stockings and gifts to low-income residents.

Every Sunday, they would also donate the ballroom at no charge so people could host funerals or fundraisers. Out of everything he did, however, Frank’s family said what he was most proud of was coaching youth sports. Frank became an umpire in 1977 and would go on to referee countless softball and football games, including at the state level.

In the early ’80s, Frank started coaching youth softball, starting with his daughter Rebecca’s El Rio Bobby Sox team. He went on to coach and mentor dozens of girls for close to 20 years and formed the Tucson Angels and Tucson Blaze, which competed in the Amatuer Softball Association league. Many of his players went on to receive college scholarships through softball and one made it to the USA Softball Olympic team.“Frank did a lot in this community, but that was one of his proudest achievements that all of these girls got their education paid for through softball,” said Martinez, who also coached alongside Frank. Once gatherings are allowed again, Frank’s family said they hope to hold a party in his honor at the El Casino Ballroom to celebrate his life, his dedication to the community and the legacy that he leaves behind. Hanah Morales, left, and Gabrielle Barney arrange some party displays for Gabrielle's Sweet 16 party at El Casino Ballroom on Saturday, July 28, 2012.

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The girls have been best friends since the seventh grade. Gabrielle is granddaughter of Fred Martinez, longtime manager of the ballroom. There is a long tradition of family events at the El Casino Ballroom.

Outside the east end of the El Casino Ballroom there remains part of the original dance floor and structure. The roof was blown off the building years ago and the remains of part of the dance area is under a corregated roof. The ballroom fell into disrepair in 1991 after a storm damaged the roof.   Matt and Bill Smith bolton a beam into place at El Casino Ballroom at 437 East 26th St. Levin and Sons is building a new roof for overtop the old one. The ballroom fell into disrepair in 1991 after a storm damaged the roof.  

Mike Levin uses a rope to helkp guide a beam while his father Alan operates the crane at El Casino Ballroom at 437 East 26th St. Levin and Sons is building a new roof for overtop the old one. The El Casino Ballroom in Tucson has featured acts like James Browne and Tito Puente since it was built in 1947. The original wood dance floor was partially restored in the 90s.

Mike Levin uses a rope to helkp guide a beam while his father Alan operates the crane at El Casino Ballroom at 437 East 26th St. Levin and Sons is building a new roof for overtop the old one. With a master’s degree in journalism, Jasmine served in a variety of leadership roles, including The Daily Wildcat's editor-in-chief. She was also named Outstanding Newsperson of the Year by the UA School of Journalism. Of the many articles and reviews that Harry Pearson wrote for The Absolute Sound, his annual Super LP List (aka Super Disc List) may have been the most eagerly anticipated.

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The issue in which it was published was the one that everyone had to buy, borrow, or copy. Because whether you were rich or poor, active in the high-end audio market or just kicking tires, it was the one issue of TAS you could make daily practical use of—it was your road map to the absolute sound. Back in the day, hundreds of guys like me carried that list with them to record stores, garage sales, estate sales, library sales, rummage sales, the basements of unsuspecting neighbors. With HP’s recommendations in hand we pawed at musty cardboard boxes and peach bins full of vinyl, rifling through stack after stack of fifty-cent LPs stinking of mildew and cat piss in search of the titles Harry deemed worthiest. Who wouldn’t have sold his soul for—or cheated a widow and an orphan out of—that black-label Weavers Reunion at Carnegie Hall? Almost single-handedly HP created a market so important, voracious, and enduring that, even now, used-record dealers demand a premium for mint copies of his favorites, while select titles from his Super LP List continue to be re-issued by companies the world over. It is our aim here to preserve and expand upon what Harry created. While it may not ignite the frenzy that it once did, TAS’ new Super LP List contains every LP that HP recommended when the list was last published by him. It also contains hundreds of titles that JV and the TAS staff have deemed worthy of adding.

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