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Gran Casino - Сегодня твой день!

This budget hotel is located just 348 m from the beaches of Lloret de Mar, on the Costa Brava. Rooms have balconies with views of the swimming pool. The H Top Gran Casino Royal is a lively setting within a short walk of Lloret's popular nightlife. The swimming pool is surrounded by lounge chairs and palm trees.

Hotel H TOP Gran Casino Royal in Lloret De Mar Costa Brava.

H Top Casino Royal has a full evening entertainment program, with flamenco shows and live music. The hotel restaurant specializes in buffet-style Catalan, Spanish and international dishes. Children between 4 and 12 can enjoy the playground and the supervised Kid’s Club. Activities such as face painting and pirate games are available 6 days a week.

Die Palette der Spielautomaten besteht aus Einzelspielern und Multiplayern. Sie bieten eine vielfältige Auswahl an Spielen in einer attraktiven und sicheren Umgebung. Beispiele werden nur verwendet, um Ihnen bei der Übersetzung des gesuchten Wortes oder der Redewendung in verschiedenen Kontexten zu helfen.

Sie werden nicht durch uns ausgewählt oder überprüft und können unangemessene Ausdrücke oder Ideen enthalten. Bitte melden Sie Beispiele, die bearbeitet oder nicht angezeigt werden sollen. Taktlose oder umgangssprachliche Übersetzungen sind generell in Rot oder Orange markiert. Beim Grand Casino Royal handelt es sich um ein großes Hotel, mit Poolanlage usw. Kein Resort, aber wenn man in der Stadt unterwegs ist, ist das eine super Basis für kleines Geld. Insgesamt war das Hotel für Lloret - denn was will man denn auch sonst erwarten - ganz okay. All inklusive lohnt sich auf jeden Fall, da fast den ganzen Tag über die Bar geöffnet ist, bzw das Buffet auch echt okay…Das Hotel selbst ist von den Zimmern her das größte Llorets, jedoch ist die Poolanlage, die Lobby sowie die Zahl der Fahrstühle uvm. Der Anschein eines 3* Hotels wird nicht ansatzweise gerechtfertigt.

Grand Casino Bakery & Café - Culver City, CA

P.s.: Jedoch haben wir erfahren, dass die Zimmer in den oberern Stockwerken wohl viel schöner seien ( wir waren auf der…Super Hotel für den Preis. Überall liegt dafür viel zu viel Dreck herum, die Mitarbeiter…Zimmer Bad katastrophal dringend renovierungsbedürftig Lage top Essen nicht überragend aber man findet immer was Personal super nett Putzfrauen nicht geputzt trotz Trinkgeld nur Handtücher getauscht und bett gemacht aber es ist halt nur 3sterne aber keine Klimaanlage nirgends gestanden sonst hätte…Allgemeine und unverbindliche Hoteliers-/Veranstalter-/Katalog-/Corona-Massnahmeninformationen. Alle Angaben ohne Gewähr und ohne Prüfung durch Holiday Check. Bitte lesen Sie vor der Buchung die verbindlichen Angebotsdetails des jeweiligen Veranstalters.

Buñuel's first "comeback" film since "L'Age d'Or" in 1930 (he made only a few musicals in the interim), "El Gran Calavera" concerns a family's attempts to change the patriarch's somewhat ... See full summary » After discovering he's being cheated on by his wife María, Quintin kicks her out of the house.   Upon leaving, his wife confesses that their daughter Martha is actually not Quintin'd daughter...  

See full summary » A newly-wed country boy receives the terrible news that his mother is dying, and takes a long and dangerous bus trip to the city to contact a notary for her last will and testament. After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. See full summary » An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. See full summary » The wife of a physician who diligently cares for the poor, grows weary of their dull South France factory town and pressures her older husband to move to glorious Nice, on the Mediterranean... See full summary » After the mysterious disappearance of an oil well owner, one of his workers, Gerardo (Jorge Negrete) assumes the business management.

Soon, the owner's sister (Libertad Lamarque) arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened. Since January of this year – after I attended the Luis Bunuel retrospective at London's National Film Theatre – this had been the only title left for me to watch out of the filmography of my all-time favorite director; thanks to Lionsgate's 2-Disc "Luis Bunuel Collection" (also containing THE YOUNG ONE [1960]), I finally made it now – an effort which took me all of 15 years to accomplish! The film was a surprisingly pleasant and engaging semi-musical but, clearly, a very minor work in the director's canon; if one weren't aware of the circumstances behind its making (the fact that Bunuel had been kept from directing for 15 years and that his comeback was possible only via a commercial studio product), one would think that the great Surrealist master was playing the ultimate joke on his audience – by delivering a film which is virtually the antithesis of his style (though, in retrospect, the idea of people suddenly breaking into song in a Bunuel movie is pretty surreal in itself)!

Gran Casino

That said, being the intimate film-maker that he is, he lends considerable attention to the contrasting milieux in which the proceedings take place – the oil-fields and the titular location. Towards the end, the heroine ostensibly capitulates to the powerful foreign organization controlling the territory – only to have the last laugh (with the hero at her side) as the all-important oil-wells are dynamited soon after their departure from town! The male lead is likable, handsome and can certainly carry a tune; he seems to find the overage leading lady desirable – personally, I didn't share his enthusiasm and, in fact, was more intrigued by the younger and more attractive temptress (who, during the course of the film led two men to their doom). Alfonso Bedoya, the leading Mexican bandit from John Huston's THE TREASURE OF THE SIERRA MADRE (1948), here plays the casino owner's grinning lieutenant; he gets his just desserts in a striking (and, in the context of the rest of the picture, quite disorientating) scene showing the hero attacking Bedoya, who's hiding behind a curtain – instead of cutting between the two men, Bunuel keeps the camera on one side of the curtain but then superimposes for a split-second on this same action the image of shattered glass, as if to imply the devastating effect of the blows Bedoya is receiving! Another bravura sequence is the one involving the old female kleptomaniac, a hanger-on at the casino; while in the company of the hero, we see the distorted reflection of her facial features in a shiny champagne bucket he's casually holding (as if to remind us of her crooked nature). The director's hand is also felt in his completely unsentimental handling of a would-be tender moment between the budding lovers: while the heroine remarks about the strong odor particular to an oil-field, the hero nonchalantly picks away at a pool of mud with a stick! Bunuel also manages to incorporate a nod to Hitchcock in this film – the 'safety in numbers' routine often used by the Master Of Suspense: here, feeling threatened by the presence of the rival's thugs at the casino, the hero leaps onto the stage and proceeds to lead the audience in a rousing musical ensemble!

Also worth mentioning here is the recurringly surreal presence of the Trio Calaveras, amiable singing peasants who turn up simply to back up the hero's vocals – wherever he happens to be at the time (in jail, at the oil-field, at the casino) and literally out of nowhere; at one point, even he seems surprised by their sudden appearance and acknowledges them with a bemused nod! Two more minor but amusing presences are punters from the Casino: a perennially drunken peon and a bald-headed walrus-like old man with animated eyebrows!