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Despite the fact, as far as albums, the first quarter of 2014 has been as memorable as any other in recent memory, what Symeonn did easily rivals the best of it thus far and I'm virtually certain that I'll be saying the same thing in December (and if I'm not, the year will be something truly special). Today we take a look at exactly what was so powerful about this release as Rob Symeonn teamed up with Goldheart Music and Jah Youth Productions, for a potential classic and we Rewind! I can still recall the emotion of first hearing the opener from "Indigenous", 'Ithiopia'. It was this significant and eye-opening feeling of 'okay maybe this isn't just some decent album' and maybe it was something special. It would definitely live up to these standards subsequently, but where it started was just so high and so beautiful with this somewhat understated, but entirely ROYAL, selection. If you want to call it the best song on the album, that's fine, but even if I would disagree, I couldn't call it lesser than the album's second best offering altogether. From a sonic point of view, 'Forgive Them' is SPECTACULAR.

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It is EASILY one of the best such moments on this album (and would also be on most others) and it is something which I'm now appreciating more. Just a casual listen to this tune brings forth this very compelling type of vibes and I would LOVE to hear an instrumental of this one. I've kind of taken the reverse approach to 'Day By Day' than I have in regards to its predecessor.

In the case of 'Forgive Them', I've backed up and listened to the tune not too intensely and it has well opened up and allowed me to appreciate the most cursory (but SHINING) quality of it. As for 'Day By Bay', on the other hand, I've tuned into it a bit deeper and it, too, has unwrapped just a bit. And so many other things as well and I think that Symeonn uses the prevailing concept, of being in a relationship as a metaphor for so many different aspects of life because of just how broad and wholly relatable of a piece that it is.   These days what stands out as most glaring is the fact that this is one of the best written songs on this album. Similar to its predecessor in terms of how deep it is, 'Mama Said' is another tune that I've paid a closer amount of attention to recently.  

It covers so much ground with the spoken word (ground which you would not have noticed with a more simple listen). This song is about having proper behaviour and straightening out one's life and I think that Symeonn and Ragga Lox use the figure of "MAMA" as this dominant figure of goodness - as if saying if you are going to listen to someone it would definitely be Her. Beneath that 'umbrelling' (when you begin to turn nouns into verbs without even thinking about it beforehand, something special is happening) concept you get others such as anti-violence, unity and perseverance.

A LOVELY song, but one which is best appreciated with a closer look. I was and remain of the opinion that, in 'Tired Of Work', Rob Symeonn and company may have a future hit on their hands if they ever decide to push it up just a bit. When you link a kind of simple maturity and intelligence and responsibility with a DELIGHTFUL display, you leave the listener with a giant impression, which I am STILL fully enjoying today and hopefully I'm not the only one.

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An unshakable and candy-like chorus dominates previous single, 'Night On The Town'. It was life-changing or mind-altering material, but just an excellent song which was one of the easiest to enjoy on "Indigenous". 'Jah Only' was a composition that was absolutely saturated in old school charms and, from a musical point of view, it helped to make this Ticklah produced set one of the most memorable here. Symeonn said that no greater entity existed to be depended upon that The Almighty and he did in such a delightful way that it made getting his point across so much easier. We often talk about how the display of a song should match what is being said and, in this case, with something so nice -- having found someone who will never let you down -- it synced up perfectly. I've now come to the conclusion that, 'Life Is Precious', the best song on the whole of "Indigenous" to my opinion, is far too short! As the fourth shortest song on the album, it gives only a taste just how GIANT and INFECTIOUS it is in a time period considerably shorter than just three and half minutes. However, Symeonn does make the most of it by doing a composition on which he tells all to… Previously, I was of the idea that 'Life Is Precious' was of a stationary idea, but I now see it as a very evolving one.

It isn't something where Symeonn says to be thankful for what you have and leaves it like that. ] is the message behind another of this album's numerous highlights, 'Monkey Wrench'. He says to aspire to even greater, but the idea is to, before you go forward, make sure your foundation is solid. Keep a filter on the people that you spend time around (biggup Ickarus) ["MIND WHO YOU LIME ROUND, SPEND TIME ROUND, THE COULD BE THE SAME ONE THAT'S PULLING YOU DOWN! This composition was another with a highly visible (and pleasant) old school 'heart', but one which brought a very crucial message right along with it and is not to be missed.